Diana Lloyd
  • Home
  • Artist Statement
  • They Told Us To Contain It
  • We're Waiting
  • Help us build an art studio
  • They told me to contain it
  • drag, fold, talk
  • Pleased to meet you
  • The road looked the same and so did the buildings
  • How to Build an Art School
  • TARP 3
  • TARP 2
  • TARP 1
  • Site Construction archive
  • Site Construction
  • Reading the Rubble
  • CV
  • Home
  • Artist Statement
  • They Told Us To Contain It
  • We're Waiting
  • Help us build an art studio
  • They told me to contain it
  • drag, fold, talk
  • Pleased to meet you
  • The road looked the same and so did the buildings
  • How to Build an Art School
  • TARP 3
  • TARP 2
  • TARP 1
  • Site Construction archive
  • Site Construction
  • Reading the Rubble
  • CV
Diana Lloyd
Picture
Reading the Rubble,  installation shot, mixed media assemblage, painting and ceramics, 2015
Picture
Reading the Rubble, detailed shot, molten bricks, stoneware ceramic and spray paint, 2015
Picture
Reading the Rubble, detailed shot, mixed media, spray paint and breeze blocks, 2015
Picture
Reading the Rubble, detailed shot, molten bricks, stoneware ceramic and breeze blocks, 2015
Picture
Reading the Rubble, detailed shot, stoneware ceramic, spray paint and breeze blocks, 2015
Picture
Reading the Rubble, detailed shot, stoneware ceramic, spray paint and breeze blocks, 2015
Picture
Reading the Rubble, site-specific installation, earthenware ceramic, 2014
Picture
Visual research, 2014
Picture
Visual research, 2014
Picture
Visual research, 2014
Influenced by urban public spaces that are under destruction and/or construction, signifying precariousness, hazards, security and insecurity, I created an archive derived from building construction sites and street works through photography and collected materials.  It is from this archive I experimented through painting, mixed media and ceramics.  

I also drew from critical theories investigating how rubble from ruins can possess multiple, layered and diverse meanings through their “readings” of them.  This includes writings by Tim Edensor about industrial ruins from, Industrial Ruins: Spaces, Aesthetics and Materiality (2005) and writings by Eyal Weizman regarding Forensic Architecture including Forensic Architecture: Notes from Fields and Forums (2012). 
© Diana Lloyd 2016.  All rights reserved.
Powered by Create your own unique website with customizable templates.